Poetry | September 01, 2001
Poetry Feature: George Bilgere
George Bilgere
Featuring the poems:
-
Eden
-
Waiting
-
Nectarines
-
Anywhere
-
Pain
Eden
When Sarah and Jill, after a few years
Together, decided Sarah should become a man,
They thought about it for a long time,
Staring at Sarah’s breasts in the candlelight
As they hung dejectedly
Like a pair of old dogs
Someone decided to have put to sleep.
And they looked between her legs
At that wild gate that was like the first sentence
Of a story they had grown tired of telling.
They seemed to hear a kind of music
Under the surface of her skin, a far-off joy–
Years later, after the hormones and the stitches,
The lopping and relocating,
I met a slim, serious young guy
Who had been Sarah
At cocktail party in Monterey
And we shook hands and had a couple of beers
While I smiled and tried very hard not to feel
As if a woman had slit open the sack
Of my scrotum and crawled inside,
Confidently palming my testicles in her strong hands,
Saying, There will be no more
Secrets around here.
Waiting
When the guy in the dark suit
Asks me if I want to see my mother
As she lies in the back room, waiting,
I remember her, for some reason,
In a white swimsuit, on a yellow towel
On the sand at Crystal Lake,
Pregnant with my sister,
Waiting for me to finish examining
The sleek fuselage of a minnow,
The first dead thing I had ever seen,
Before we went back to the cottage for lunch.
I remember her waiting up for my father
To come home from God knows where
In a yellow cab at 2:00 AM
And waiting for me in the school parking lot
In our old blue station wagon
When whatever it was I was practicing for
Ran late. I remember her, shoulders thrown back,
Waiting in the unemployment line, waiting
For me to call, waiting for the sweet release
In the second glass of wine
After a long day working at the convalescent hospital
Where everyone was waiting to die.
And I remember her waiting for me
At the airport when I got back from Japan,
Waiting for everything to be all right,
Waiting for her biopsy results.
Waiting.
But when the guy in the dark suit
Asks if I would like to go back
And be with her in that room where she lies
Waiting to be cremated I say No
Thank you, and turn and walk out
Onto the sunny street to join the crowd
Hustling down the sidewalk
And I look up at the beautiful
White clouds suspended above the city,
Leaving her in that room to wait alone,
For which I will not be forgiven.
Nectarines
The gay man standing next to me to me
At the organic food store
Is squeezing the nectarines
With the same concentration
I would give a woman’s breasts
Or he would give,
Or might give–I don’t really know–
The weight between his lover’s legs.
He is trim, fortyish, wearing a pair
Of vaguely European loafers
And the kind of perfect haircut
No stylist has ever felt I deserved.
His slacks and T-shirt exist at a point
On the spectrum of casual elegance
Just beyond my ability to actually detect it
But they nonetheless make me feel,
In my jeans and JCPenny sports shirt,
Like a shambling, half-trained circus bear.
When standing next to a woman
In a supermarket I sometimes feel
As if we were back in the Garden,
A realm of fertile ferment
Where we walk in a kind of heady sexual buzz
Among the ripe fruits and frozen dinners of the world,
Temptation everywhere
As we scan the zebra codes
Of our deliciously
Unfamiliar flesh.
And when I pass a straight guy
In the aisles, we nod, or raise an eyebrow
To acknowledge our place
In the hairy fellowship of predators.
But when this man and I
Look briefly into the Sanskrit, the blank
Scrabble tiles of each other’s eyes,
We smile briefly and go back
To thinking, quite seriously,
Of nectarines.
Anywhere
The boy’s been on the computer all morning
Playing virtual baseball, July
Sliding by in a huge yellow silence
Beyond the window as he clicks at the keyboard
To send the phantom players running
The base paths under a virtual sky
In a nameless city’s digital summer.
Naturally I brood about this as I work
In the garage at fixing his bike’s
Out-of-whack derailleur. In my day,
I find myself starting to say, before
My father’s fossil phrase
Catches in my craw–but no;
Better to speak with this tool in my hand,
This old-fashioned screwdriver,
Its Phillips head buried in the steel
Crux of the material world, the torque
Flowing from my old-fashioned wrist
So chain will rise from sprocket, and power
From a boy’s legs will carry him from home
And down the afternoon street to nowhere
In particular, or anywhere: places
I used to head for on a summer day.
Pain
Animals in the wild are perfect and know nothing
About pain. Also perfect
Is an Olympic sprinter pulling off
His jersey after a race; the body, flexing
For TV, blinds you; Oh, you say,
That’s what it’s supposed to look like.
But all wild animals are like this because they live
In a perpetual Olympics. There’s no
Margin for error out there,
And any ragged flock of gulls
Surfing a wind current, any rag
Of a jackrabbit poised by the roadside
Dwells in the lean, perfected moment; one
Busted bone, one gray hair, one
Moment’s inattention and he’s a goner,
Crunched in the maw of a larger, wilder
Perfection. That’s why
They’re wild; pain
Never has a chance to teach them
A thing. The parakeet in his cage
Of pain, the ferret on his sexy chain,
Nosing the nipple ring
Of a tattooed punker, the cocker
Spaniel tied by the neck
To the railing outside Starbuck’s, waiting
For the slim blonde in the pale
Translucent blouse to finish her latte
With a pale unshaven man she’s enjoying
Breaking up with; they’re not wild
But bewildered, like us, having learned
From us what pain is, what it is to be human.
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