I know why books of poetry don’t sell. I witnessed part of the problem last month when I attended a conference put on by Missouri’s Center for the Book. Several of the local poets who were invited to read had also signed up to have tables at the book fair to sell their collections. Yet, none of them had set up displays or even sat down at their table for five minutes to talk to conference attendees. Most of the poets swooped in, gave their reading, and then slipped out a side door. Those who did stick around and were a little more social kept their books in their satchels.
The concept of poets as divas seems oxymoronic and exotic and yet they exist. Do poets really lack an audience or do they refuse to do the work necessary to create one? Instead of work, they show practiced indifference. Perhaps they believe it is too crass to sell their books. They wrote it, maybe they believe it’s someone else’s problem to sell it. Or do they suffer from a defeatist attitude? No one reads poetry, why bother?
I used to host a book club at a local bookstore and had little difficulty finding readers. Fiction and nonfiction writers would contact me and ask to if they could add my book club to their “do-it-yourself” reading tours. They seemed willing to sell books out of their trunk if they had to. The publishing industry has always struggled and now with the recession it’s going to struggle even more. Promoting books has increasingly become the responsibility of the writers. Someone forgot to tell the poets.
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Those sound like fighting words!
But I’m not a poet with books to sell, so I can’t comment specifically. But I wonder if the meager economics of poetry aren’t more like the old chestnut about the music industry: musicians make their money touring, not selling CDs. Perhaps the more important aspect of a poet’s artistic activity is the reading itself — the selling of texts is an almost superfluous task. Perhaps the poets you saw neglecting the bookfair weren’t doing so because they’re too elitist or shy or uncomfortable shilling for their chapbooks, but rather because they realize that diverting their energy into trying to sell chapbooks is largely a waste of their time.
On a slightly different side of this subject, I did see an interesting presentation a couple of years ago at the AWP conference where a poet was talking about how he had successfully self-marketed his work: he had made a DVD of him performing his poetry. So he was selling the performance, as opposed to the text.
I’m not sure where that leaves those poets who don’t conceive of themselves as performers or their work as performative. Other than largely unread and unheard, of course…
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