Interviews | December 10, 2012
A Conversation with T.R. Hummer
A poem is a score for consciousness (“score” as in “musical score”). In textual terms, consciousness conveys itself as what fiction writers call “point of view.” So far so good. I believe less in the absolute separation of the various points of view, however: first person and third person are manifestations of the same thing: consciousness per se. Therefore, I work as though every third-person text is simply a first-person text in which no one has (yet) said “I” but could at any moment. I also work as though every poem, whatever its preponderant pronoun, is in fact (à la Whitman) a groping for omniscience, the manifestation of a desire to forgive everything and therefore to know everything.
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SEE THE ISSUE
35.3 (Fall 2012): "Risk"
Featuring work by Lauren Acampora, Michale Byers, John J. Clayton, Ewa Hryniewicz-Yarbrough, Kate Rutledge Jaffe, Margaree Little, Carolyn Miller, Christopher Robinson, Tryfon Tolides… as well as a look at the life of Louise Brooks and an interview with T.R. Hummer.
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