Nonfiction | June 01, 1984
Reflections on a Year in Harvard's Woodberry Reading Room
The full text of this essay is not currently available online.
Last summer a bronze sculpture by Henry Moore was installed in a corner of Harvard Yard outside the Lamont Library. For a month workers rehearsed placements and then roped off a small area to direct the sinking of the base. Two forms were set down, securely but not permanently, and the roped removed. In the sculpture’s first hours, passers by approached, inspected, and cautiously touched as the placers watched from a distance. In its first year the work has become an extension of the scenery. All fall and spring students have studied and sunned there, casually hugging the forms.
If you are a student, faculty member, or staff member at an institution whose library subscribes to Project Muse, you can read this piece and the full archives of the Missouri Review for free. Check this list to see if your library is a Project Muse subscriber.
Want to read more?Subscribe Today
SEE THE ISSUE
7.3 (Spring 1984)
Featuring work by Russell Banks, Bruce Beasley, George Bogin, Christopher Buckley, Dino Campana, Rene Char, Fred Chappell, Reed Way Dasenbrock, Glover Davis, Robb Forman Dew, Katherine Estill, Kathy Fagan, Carol Frost, Margo Glantz, Daniel Halpern, Laura Hendrie, Katherine Kane, Hank Lazer, Michael Milburn, Ricardo Pau-Llosa, Omar Pound, Pattiann Rogers, Philippe Soupault… as well as an interview with Charles Simic and a special feature on Tennessee Williams.
May 17 2022
Facing it Sally Crossley “there will be time To prepare a face to meet the faces that you meet;” —T. S. Eliot The Love Song of J. Alfred Prufrock
May 16 2022
Oranges Robin Reif We called it the Buffet of Dead Food: flaccid bacon, eggs—hard-boiled and cold—and toast so tough it scratched the roofs of our mouths. Still, the meal had
Jan 07 2022
Cover Up I did not begin my time in Jerusalem with the desire to be dangerous. I arrived in that most intoxicating, infuriating, enervating, derelict, and sad of cities with