Nonfiction | July 24, 2012
The Blue Boot
Starting out, my mother is excited to be driving. She sings along with the radio. The sunlight is yellow and bright on her left arm. She wears sunglasses and looks like a blonde Jackie O. But as we get closer to my grandmother’s house—past the six-hour mark, maybe seven and a half—after we pass through Iowa and we’re weaving through traffic on the I-880 bypass around the Quad Cities, definitely as we enter Illinois, she becomes visibly more nervous, tapping her nails on her thigh, worrying the cloth of her slacks between two fingers so that the fabric chirps like a cricket. She’s playing her Mother Angelica tapes, and you cannot sing along with a bunch of geriatric nuns who cannot carry a tune in the first place. Listening to their tapes is a form of penance in and of itself, and the fact that my mother has brought the entire set of twelve cassettes angers me. “Why do you have to listen to that?” I snarl. I am nearly eighteen, and snarling comes easily to me.
The full text of this essay is not currently available online.
If you are a student, faculty member, or staff member at an institution whose library subscribes to Project Muse, you can read this piece and the full archives of the Missouri Review for free. Check this list to see if your library is a Project Muse subscriber.
Want to read more?Subscribe Today
SEE THE ISSUE
Aug 19 2021
On Defeat and Diego
On Defeat and Diego Alexander Ramirez Once, while I was training at the Police Athletic League in Oak Park, Diego “Chico” Corrales walked into the gym holding a trophy half
Aug 19 2021
Oil Town Overture
Town Overture Dave Zoby At five AM I smell coffee through the floorboards. Carter only drinks organic. He set up his own kitchenette down there. I hear the clink of
Editors' Prize Winner
Jun 02 2021
Opera House By Robert Stothart Everything seemed married to everything else. —Gustave Baumann, printmaker, Santa Fe Overture A mere 7,918 miles in diameter, Earth, our home together, travels a minuscule