Nonfiction | September 01, 2010
The Saddest Music Ever Written: Samuel Barber's Adagio for Strings
Thomas Larson
The full text of this essay is not currently available online.
Barber’s Adagio is the Pietá of music. It captures the sorrow and the pity of tragic death: listening to it, we are Mother Mary, come alive-holding the lifeless Christ on our laps, one arm bracing the slumped head, the other offering him to the ages. The Adagio is a sound shrine to music’s power to evoke emotion. Its elegiac descent is among the most moving expressions of grief in any art. The snail-like tempo, the constrained melodic line, its rise and fall, the periodic rests, the harmonic repetition, the harmonic color, the uphill slog, the climactic moment of its peaked eruption-all are crafted together into one magnificent effect: listeners, weeping in anguish, bear the glory and gravity of their grief. No sadder music has ever been written.
If you are a student, faculty member, or staff member at an institution whose library subscribes to Project Muse, you can read this piece and the full archives of the Missouri Review for free. Check this list to see if your library is a Project Muse subscriber.
Want to read more?
Subscribe TodaySEE THE ISSUE
SUGGESTED CONTENT

Nonfiction
May 17 2022
Facing It
Facing it Sally Crossley “there will be time To prepare a face to meet the faces that you meet;” —T. S. Eliot The Love Song of J. Alfred Prufrock … read more

Nonfiction
May 16 2022
Oranges
Oranges Robin Reif We called it the Buffet of Dead Food: flaccid bacon, eggs—hard-boiled and cold—and toast so tough it scratched the roofs of our mouths. Still, the meal had… read more

Nonfiction
Jan 07 2022
Cover Up
Cover Up I did not begin my time in Jerusalem with the desire to be dangerous. I arrived in that most intoxicating, infuriating, enervating, derelict, and sad of cities with… read more