Blast | June 25, 2021
“The Ride” by Robert Stewart
BLAST, TMR‘s online-only prose anthology, features fiction and nonfiction too vibrant to be confined between the covers of a print journal. Robert Stewart’s “The Ride” recounts the story of his wife’s determination in completing a month-long cross-state journey on horseback and the role he played as a semi-silent supporter.
We touch these stars above.
Fresh distances. Rider and Horse are one.
—Rilke, Sonnets to Orpheus
I am trying to track down my wife. She rode off by horseback two days ago, not to the crests of Montana or shores of Morocco but into rural Kansas and Missouri, along reaches available to me by truck in a few hours—the subtle gravel roads of four miles per hour, among sunflowers, wood bees, ticks, and barns, sagging into history. This is beautiful country. It is flat, dry country with half-completed homesteads and suburban ranch homes among acres of fescue and foxtail or soybeans laid in along creeks. Most houses sit back off the road a ways, and for Lisa to get permission to water her horse or pitch a tent, she gambles twenty minutes or so, three or four times a day, to ride up a stranger’s gravel drive toward the front door, dismount, remove her wide straw hat, fix her hair, execute a smile, and hope someone’s home.
She got started at 11:15 AM on Wednesday, mid-May, two days ago, on a solo horseback trip of three weeks or three months, however it goes. By instinct, it seems, given my profession as an editor, I seek order in the patterns of roads and stories that I imagine we both might discover in the weeks ahead, albeit me in support only. She headed out from her horse’s rented pasture, near Edgerton, in east-central Kansas, south on Crescent Hill Township Road in the direction of Osawatomie, once home to John Brown, his Jayhawker, antislavery forces, at least two massacres, and configurations of “bleeding Kansas,” which my mind has begun to conjure.
Sparky, the dog, and I kept up with her (he on foot, me by car) for a while, until she seemed to settle in and find her pace. Then, at a curve where the gravel road turns dead south, I stood beside the car and watched her ride about a mile until she and Chief, her Missouri Fox Trotter gelding, disappeared behind a hill.
Have you ever watched your wife of five years vanish into a horizon line? Two years ago, Lisa started her own consulting business, took every job, worked nights, weekends, holidays. She banked her earnings, and this summer, as boss, owner, and sole proprietor, gave herself time off to travel. By horse. That first day, Chief’s shimmering red coat and bulk made for easy tracking from a rise on the prairie. The horse spooks easily: at a rusted tractor, a windmill, a cow and its calf; so if you were to watch the horse and rider, your wife—if you are lucky enough to have a wife you admire—you would see them shift in the road from right edge to left, to shy from monsters of all sorts, monsters under a bright sky. A trash can is a monster. A single hay bale. A highway overpass could be an opening into hell, and Chief no Orpheus to lead her out. She must walk him through and reward him with a prune on the other side.
Earlier today, she was “separated from her horse,” as the expression goes, on a chipped-rock road where a horned cow charged the fence, sending Chief into a swirl and Lisa down on the rocks. The horse paused and looked back at her from a hundred yards off, then took up a trot, as Lisa called it, “heading for home.” It turned out that a young man driving to his boss’s house about two miles down that same dusty road stopped his pickup to gather Chief by the reins and drove on, holding his arm out the driver-side window, which is how he came to lead the horse into his boss’s front yard to wait for its owner. “I didn’t figure she needed to walk farther than necessary,” he would say. Kindness.
I sped immediately southward sixty miles, when she called, to find her sitting on her poncho under a tree and the horse tied to the grille of the truck. Her left sleeve and half her white shirt blazed with blood. She had gotten a ride from a lady after the “wreck” and would later get five stitches at the county medical center, along with two hours of advice from the doc: “Call off this ride,” he said. She won’t. I have faith in my wife’s faith.
She will go on, and I will wait each evening at home for her to call and confirm that she has settled in somewhere, putting us both motionless in time, as poet Archibald MacLeish says cryptically, as the moon climbs. Acquaintances want to know of her, Why do it? She has dreamed of going off alone on horseback since girlhood, and she has in mind writing projects that later will leaf out from the trip. All good, all beside the point. A woman riding by horseback alone on these back roads helps even me with this distant aesthetic—as MacLeish has said of poetry, so it is with her—that she should not mean but be. She wants to be a dreaming girl again, the girl who rode bareback in the red-shale gullies of Oklahoma and, later, over the wooded hills of her parents’ farm in Missouri.
You should have seen the collection of bulls and cows, all horned, in the pasture we walked Chief past the day after Lisa’s abrupt dismount—some Brahman bulls, some Highland and Lowline or Zebu, for all we knew—maybe fifteen head collected under a wide shade tree, lying or standing in such tight congress and with such fierce eyes, you would understand whose law passes on life and whose on death in these parts. The law of power, the law of speed, the law of standing with one’s kind. One cow of that group had charged Chief the day before, sending Lisa’s body onto the jaw-rock road.
A public garden in Paris, France, has a Greek marble sculpture of Theseus appearing to get the best of the Minotaur, a confrontation I take, now, as factual and real. I will drive these gravel roads every week or two during Lisa’s ride, delivering supplies to her in the territory of many-shaped creatures, in a Kansas or Missouri county of dust and ditches bordered by wire fence and hedges of mulberry and sage. Our GPS-enabled phones don’t always match maps ripped from atlases, and sometimes I want simply to hand Lisa a spool of string that will lead her through the labyrinth.
The time has come, five days in, for me to once again track down my wife. I have beside me in the truck the checklist of supplies she has dictated in several calls during the week. Before leaving Kansas City, I stop at Starbuck’s for 24-packs of VIA Instant, at CVS Pharmacy for bug repellent and sunscreen, at Sutherland’s Lumber for forty feet of nylon rope to replace the length she lost, then at the Hy-Vee Party and Liquor for Budweiser and ice, which I put into the cooler, and which, after this ninety-five-degree day, I darn well better not show up without.
Farther south, I stop by Backwoods Outfitters to replace a ripped rainfly for her tent and pick up heavy-duty twist ties, on impulse. I stop at the Flying J truck stop in Peculiar for gas. I stop in Rich Hill at the Amish café for sandwiches we will share on the tailgate of the truck once Chief settles into pasture or on the new picket rope I am bringing. I have more vitamins, nutrition bars, vacuum packs of salmon and tuna, small cans of beef, and a canister of individually wrapped prunes, Chief’s favorite snack. I always forget something. I always run late. The list lying on the truck seat has directions to her vicinity, scribbled landmarks, town names, likely roads she will be traveling, all of which insinuate into my thinking a kind of purposefulness, a belief that I am a participant on this trip. I am not. Not even close.
These are roads I did not know existed. 1700 Road. 2300 Road. All dust and gravel. North of Drexel, where Lisa crossed into western Missouri, gravel roads have names; south, they have numbers. A girl about eighteen tells me this outside a Drexel Casey’s, as she and two younger sisters, all with the same round, freckled faces and Fudgesicles, open the enormously long doors of their Camaro. She laughs about the road names. I had been north of Drexel, looking for Sharon Cemetery Road, and missed it, which was a good thing. My wife was south of there already, riding down what I knew—from her—only as the first gravel road east of Drexel off of 18 Highway. When I ask about finding 18, the girl at the Casey’s describes it as a “sixty-five-mile-an-hour highway,” which means blacktopped. The gravel road my wife said to look for turned out to be 1800 road, but the girl at Casey’s told me people there just call it “Old Ballpark Road,” if they call it anything.
The afternoon has gotten on; I am hoping my wife has found a place to stop for the day. I turn onto 18 Highway and then right on what seems to be the first gravel county road, unmarked, though I pass field roads, farm roads, driveways, gravel trailing into some expanse or another. After I drive two miles or so, blowing a plume of white dust, an older gentleman working on a tractor beside his house looks up and waves me into his driveway. “She’s back there,” he says and points. “Drive on back through the yard. It won’t hurt nothing.”
My wife is down the slope a ways, in a grove of black walnut trees. How did that gentleman know who I was? I am starting to love everyone. I can’t explain it. It’s just to say, they are sweet. Human beings in the best sense. It is not my nature to drive across someone’s yard, invited or not, forty acres in size or not. I park near his truck and introduce myself. He’s Jerry, and his wife is in the house with vertigo. We talk, and I thank him for helping out my wife. “Nothing to it,” he says. “She won’t take up much room.” That’s all. When I walk down the slope to where my wife is grazing the horse, Jerry goes back to work on the tractor.
Each day of her trip now, I follow in my mind the roads she might be on, with fences behind which curious donkeys, bulls, llamas, and horses would be tracking her progress, or beside a paved road, where a fellow on a riding mower would wave and stop to give directions. This second Sunday, I seek relief at St. Francis Xavier Catholic Church, near my office in Kansas City. On what can I concentrate but the pale dust of country roads or satellite views of where, in my perpetual speculation, she might be now? The Gospel has Yeshua rising into heaven, and two men in white, called, in Willis Barnstone’s translation, “informing angels,” saying to the crowd that watched Yeshua rise up, “People of Galilee, why do you stand there gazing into the sky?” The sky has come to a little screen, and I spend too much time gazing into it, or down from its satellite. What kind of spiritual vision is this, in my life, that I have become unsettled by the unknown? Relief comes in seeing myself in the company of those people in the Gospel, likewise unsettled.
“We can’t be kind or courageous in the abstract,” the priest said this morning, “but only in a given place and situation.” I teach this to my writing students, or try to. Theory comforts, and comfort gets us nowhere, is how I take that message. Lisa and I like to assume the world’s general beneficence, and I wonder how much hope I can claim against how much faith. Here at home, my bed—our bed—feels embarrassingly comfortable, the coffee maker an abomination of efficiency, the cast-iron skillet wearily weighty as I carry it four steps to the stove top. These things I know, and I am their witness. I tell my students, Write what can be known. I do not say, Write what you know but what can be known; in that difference lie the world’s offerings. The phone rings, and Lisa relays the number of a particular gravel road to orient me to her location; then the phone empties itself of sound, flat and dark as cured iron.
I am often consoled by others that I can talk to her daily for progress and hear the comforting punctuation of hoofbeats among our words. Such power of connection, however, lives for me, now more than ever, within the equal power and certainty of her separateness. Spouses, parents, friends, once saw their people off on ship or train or wagon and let them go. Had to. The tantalization of satellite and cellular communication reinvents for us, in the way of technology, a new kind of separation.
A Zen monk once asked his teacher, “Both speaking and silence belong to the relative world: How can we escape these two errors?”
The teacher replied, “Partridges chirp among the scented blossoms.”
I am not so smart as to understand the range of that response, or why Lisa and I decided not to install in our phones an app called “Find My Friends.” In promise, that app would locate her at every moment, clop by clop, the sky dropping its pin like the tail on a donkey. We thought about the illusion of separateness and how each day has as its finest moment the moment of revelation. We travel, have maps, phones; and Lisa calls to say a coyote loped across the road with a rabbit in its mouth. I detect in her words a stillness. Her voice comes out of nothing, or perhaps out of the wind. We have this connection, the satellite and cell phones chosen, the loping coyote, which looked, as it ran, neither left nor right, and her on horseback mere feet away.
Is it within me, then, as for the great teachers, to neither speak nor stay silent? My mind shuttles among signs of the material good. The more she moves through the physical universe, the more transcendent she seems. “When the holy spirit moves in you,” Yeshua says to his people, “You will receive the power, and you will be / My witnesses.”
The sky early this summer burns blue—not the blue of a distant glacier but the whitish, torchy blue of an acetylene cone. This will be a summer of drought.
Before Lisa ends her ride for good, cornstalks now green will expose roots baked and shut down. Later, while she is still riding, a friend in northwest Kansas will write to say, “One hundred fourteen degrees, and wind.” We all will take this heat together, suburb to spread, as one weather wag would say on radio. The country Lisa rides through now has known all that in past years, as well. An older gentleman Lisa once knew in Vernon County, Missouri, remembers dust so thick in the 1930s, he said, “All the babies had to leave town.” These very counties on each side of the Missouri-Kansas line carried on horseback Kansas irregulars and Missouri bushwhackers in the 1860s, burning barns and homes at will, sometimes to crusade for a cause, sometimes just for meanness. Lisa rides the same land where Jake, the narrator in the border-war novel Woe to Live On by Missourian Daniel Woodrell, would flee in panic after attacking a farmstead in Missouri. “Hog paths became our highways,” Jake would relay across time. The land spreads and rolls in gullies and sections, as it did then. The people, especially the people Lisa meets on farms and ranches, however, do not hide in the barn when a stranger rides up their road. These days, they open their doors. They bring water.
Each afternoon, not too late, if possible, Lisa rides up on a house, hoping for hospitality. In my telephone earpiece or sometimes in person, I hear her detail the scenes—an extended family having a birthday party for one of the nieces in their side yard looks down their driveway at this woman riding up on a horse. She does not ride past and wave, as would a neighbor in a pickup. She turns in, like a dream delivery. My earpiece relays her stories each evening or day, sometimes vivid, extended stories, sometimes sketchy; and my earpiece does a good job relaying the ritual. But it can do nothing to relay the experience itself.
Because of Lisa’s experience, however, I have the honor of meeting a gentleman in the early stages of dementia named Harold Gene Spain, who owns and now has started to give away to members of his extended family large sections of Dade County, Missouri, western edge of the Ozarks. He’s not tall, wears a black, smallish cowboy-style hat, and repeats his stories. When he insists on feeding Lisa’s horse himself so she can go on with me into Golden City to the café, Lisa, of course, objects. But Harold Gene’s wife, Joanne—a trim, elegant woman of the farm, in complete possession of herself—whispers to Lisa, “It’ll be good for him.” Harold Gene walks off with a bucket of feed, as if the horse belonged to his own daughter.
Lisa had ridden onto their property earlier than normal in the afternoon and asked for a place to pasture her horse. It was hot. While I drove after work for my weekly run to bring her supplies, she spent a couple of hours visiting with the Spains and had met their grown daughter still at home, with Down syndrome, and the daughter from about half a mile east on County Road 182. “You know,” Harold Gene said to me when I drove into his drive and stepped out of my truck, “We’re adopting her,” meaning Lisa. His voice said it as a joke, I think. “After you two go to dinner,” he says again, “she can just stay here with us.”
“She’d probably like that,” I say.
“She’ll be staying here,” he says.
This night, Lisa wants to rest up in a nearby motel, while Chief is safe in his pen at the Spains. When we return in the morning, I attend while Lisa retrieves her saddle from the cab of Harold Gene’s pickup, parked in the pole barn, and saddles Chief. Chief stands at the hitching pole, calm, as Lisa has come to say, as a good Amish horse. We all visit into late morning, and Lisa tells me to take a photo of her hosts. “Let’s get daughter in here with us,” Harold Gene says, meaning Lisa, geared up in her wide hat and spurs. I touch the screen for its electronic click and set in time Joanne Spain, Harold Gene Spain, and my wife, all standing bravely together. Less than twenty-four hours ago, no heartbreak existed. Now, they prepare to say goodbye.
County Road 182 runs east and west, and Lisa on her horse heads west, back in the direction of flatter farmland. This will turn out to be the final week of four weeks and one day. The road swells between cool dips where creeks move, and on a rise every half mile or so, some kind of house or barn. I creep along ahead of her, keeping sight in the mirror, stopping now and then to watch how Chief reacts to a congregation of cows and bulls or a farm dog that had charged my truck and trotted back to its yard. She turns her horse directly at those dogs, faces them, while edging away. I see from the rise ahead, she handles that dog easily. Textbook: the one about horse handling she could write. Today, more than usual, I stick with her a while, not ready to drive home. In the distance ahead, I see the crossing where she will turn north; behind me, I know, she will pass a farm soon with three dogs, at least. The speck of her wide straw hat appears over a rise, then the stately bounce of her horse, approaching that yard, and out pour the three dogs, silently from this distance, like the flickering of an old film. They swarm her horse, and I see two more dogs, at least five total, and Lisa turning Chief in circles to keep them from biting his legs.
Five furious dogs swirling one horse is entirely unreasonable, so I prepare to crash through what seems to me an invisible yet palpable barrier between my life in support—an outsider, observer—and Lisa’s life alone on the actual ride. I turn back toward her, windows up, and drive my four-by-four half-ton air-conditioned Silverado through the pack of farm dogs, dispersing its fury, muffling its menace. Two of the bigger dogs persist along the road, even after the others run off, but those two she faces down and soon regains the four-beat gait of her Missouri Fox Trotter, the get-along amble of the long ride.
Days earlier, she told me, two German shepherds came up behind her horse, snarling and nipping, until she felt Chief make a jerk with his body, whichwas, in fact, Chief kicking one dog in the head, enough dissuasion to convince both dogs to go lie down a while, up on their own lawn. “Lions cannot daunt him,” says Cervantes of the knight errant, “nor demons affright nor dragons, for to seek, assault, and overcome such is the whole business of his life, and true office.” We have, here, however, not Quixote but Dulcinea, undaunted. She insists on hauling the saddle in her arms morning and evening; she cinches, halters, grazes, or grains her own horse and, at end of day, hoses him down if her host has a hydrant handy. One day, just one, she digs to the bottom of her pommel bag for the Ruger .380 she carries, which holds six plus one rounds, the “plus one” being the round she now chambers after some over-friendly farmhand stopped his truck and stood way too close, pressing his arm on her thigh, on a low section of farm road. She knew he then went up ahead to his work, where she would soon pass. This, she told me later, after she had moved through, her arm still wrapped to cover the wound from her earlier fall, her horse calmer now and used to what the road brings, hulking hay bales and wild turkeys. All went well as she passed the man. A nod. A “See ya.” A little legal silver salute lying at the top of the open pommel, never raised.
Lisa offered no animosity toward those dogs or toward the horned cow, the aggressive farmhand, or the panther yet unseen in the grass. No sentimentality, either. The dogs, she said later to a friend, were doing their jobs. Their jobs, to be dogs. “Yield to the willow,” wrote Japanese poet Basho to his pupil, “all the loathing, / all the desire of your heart.” When I now read that little poem, I imagine the willowy legs of the horse kicking out and back under its huge body. Wind then enters the image, and I begin to lose my serenity entirely; I realize that I have taken the poem wrong. That first day, when I stood on a rise and watched Lisa ride out of view, I wanted to learn to adapt to the new reality we faced, each on our own. I had my own projects to return to. I had my rationalizations, that this separation could be put to good, productive use. I did not want to be poor in spirit, as, I think, Basho suggests; I did not want to consider the willows or, for that matter, the lilies.
Instead, I had burdened that little poem with an argument for analogies—comparisons between the lilt of horse and limbs of a tree, the contrast between brute and beauty—as if Basho were asking for an appraisal. I had yet (have yet, most likely) to understand how to neither speak nor be silent. How to avoid those two errors. If Lisa needs water, she asks for water. She does not ask, How deep is the well? I speculate, but perhaps that speaks to why she has found so many welcoming folks. She needs a place to camp and graze her horse, and, in that simple sincerity, she makes good company. No one could have told me this on the first day of Lisa’s trip, that she, Lisa, would become the landscape and I a trespasser.
At about 1:30 p.m. on a Thursday, the final day of her trip, I am in my office, unraveling a failure of subject-verb agreement in a written report submitted to me. I become momentarily lost, forced to trek backward through the meandering trace of a sentence—from its grammatical subject, the rocky shore, to an errant participial verb looking (over the edge), as if the rocky shore were looking over the edge of itself. Road maps, even grammatical ones, take on added significance lately; so when I find syntax disconnected from its message, I imagine a telegraph line must be down, somewhere, in high winds.
The phone rings. Lisa says, “Call around and rent a horse trailer. I need you to come get us.” How much more direct can a statement be? I need you to come get us. The Buddhists would call her statement perfect sincerity. I jot it down on a ruled pad. Call around. Come get us. No shift in point of view; no ambiguity. For her sake, I had hoped that the ride would have gone a few more days and returned her by horse to Chief’s rented pasture, where she started out. I am, however, unaccountably relieved that we—and yes, my presumptuous participation shows up again in that plural pronoun—have made it through: horse, rider, me.
I have a project. I find a sixteen-foot stock trailer for rent near Harrisonville, Missouri, and that will do. Lisa had ridden—actually, alternately walked and ridden—beside a four-lane highway that June day in ninety-eight-degree heat and horse-high weeds for two miles in the wrong direction, and I am to find her in the shade of a cabin undergoing renovation off Highway E, south of Archie, her horse unsaddled in the same shade. That’s it.
When I pull onto the gravel side road, about an eighth of a mile off the four-lane and its pickups flinging themselves north at seventy-five miles per hour, I believe I will be arriving at a moment of stillness. I am wrong. Lisa seems more energized than ever, roused by drought and sun and contentment that she has arrived at her time to end the ride.
She had thought she might ride longer. She had thought she might ride shorter. The Zen scholar R. H. Blyth has written that there is a Sun Buddha and a Moon Buddha. The Sun Buddha lives 1,800 years; the Moon Buddha lives one day and one night. Says Blyth, “Wherever life is, it is life.” When I arrive, pulling the rust-scoured stock trailer, I prepare myself for any kind of emotion. I find no particular drama discernible in Lisa, just contentment in being at this place and time. She is a woman in action who tends to stay in action, and she leads her big, trusting, muscular horse up a steep hill from the cabin to the road and lets him stare a moment into the trailer. If Chief has a memory of his past, as a trail horse working in the Missouri Ozarks, he will sense that this trailer signals the end of the workday. We don’t know what he thinks, but we know that old training allows him to step with little shyness onto the trailer deck and in.
I will ride on her adventure, now. At dinner parties and receptions, wherever one person perks up enough to ask about this ride, I will find a soft seat from which to gaze again over the pieces and scraps of landscape I myself saw through barn slats and below the sun visor of a truck window. I suspect those people will be rare, and that the telling of this story will best be realized privately, in Lisa’s own writing. There, she will turn her experiences and her terms in directions that will guide us over these and other roads. One of my wife’s favorite living poets, Marie Ponsot, reportedly said while recovering from a stroke, “Syntax is a tool more important to human existence than the wheel.” More important, maybe, than the horse. So it is, now, that our rig rattles westward along Kansas Highway 52 on its way to 69 North, then 152 farther west toward Edgerton, piecing together the right roads in the right pattern.
Robert Stewart’s books include Working Class: Poems (Stephen F. Austin State Univ. Press, 2018), The Narrow Gate: Writing, Art, & Values (essays, Serving House Books, 2014); Outside Language (essays, Helicon Nine Editions, finalist for the PEN Center USA Literary Awards 2004, and winner of the Thorpe Menn Award); Plumbers (poems, BkMk Press 1988, revised second edition 2017). He won the 2008 National Magazine Award for editing from the American Society of Magazine Editors, the magazine industry’s highest honor; he was editor of New Letters magazine for eighteen years, until March 2020, and managing editor for over two decades previously. Essays on travel and language have appeared in North American Review, Borderline, and elsewhere. He directed the Midwest Poets Series at Rockhurst University in Kansas City for thirty-six years, until 2018.
“At 54, Lisa Stewart set out to regain the fearless girl she had once been, riding her horse, Chief, 500 miles home. Hot, homeless, and horseback, she snapped back into every original cell. On an extraordinary homegoing from Kansas City to Bates and Vernon Counties in Missouri, Lisa exhausted herself, faced her past, trusted strangers, and stayed in the middle of her high-strung horse to document modern rural America, the people, animals, and land.”
SEE THE ISSUE
Jun 25 2021
“The Ride” by Robert Stewart
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